Overdose Of Bass
30s preview
- Key
- 9B · G major
- BPM
- 134
- Open Key
- 2d
- Energy
- 99/100
- Pop
- 53/100
- Length
- 3:14
- Released
- 2024
- Genre
- Techno
- Label
- Drumcode
- Loudness
- -3.6 dB
- Dynamics
- 10.6 dB
- ISRC
- GBUR62000932
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Overdose of Bassoriginal3B · 134
A peak-time tempo techno cut, Overdose Of Bass sits in G major (9B) at 134 BPM. Tonally it lands punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. Better known than 97% of Eli Brown's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 90% of Eli Brown's catalogue
- Tempo:
- faster than 82% of Eli Brown's catalogue
- Low end:
- more treble-tilted than 80% of Eli Brown's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Overdose Of Bass in?
Overdose Of Bass by Eli Brown is in G major, or 9B on the Camelot wheel.
What BPM is Overdose Of Bass?
Overdose Of Bass runs at 134 BPM, a peak-time tempo track.
What mixes well with Overdose Of Bass?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is Overdose Of Bass good for peak time?
With energy 99 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 134 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 99/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More techno
More from Eli Brown
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
