Waiting For The Rain - Renato Cohen Remix
- BPM
- 134
- Open Key
- 4m
- Energy
- 100/100
- Pop
- 0/100
- Length
- 7:11
- Released
- 2003
- Album
- Gassenhauer / Waiting For The Rain (Remixes)
- Genre
- Techno
- Loudness
- -12.1 dB
- ISRC
- DEW560340602
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Waiting For The Rainoriginal11A · 134
- Waiting For The Rainoriginal3B · 141
Against the original (11A at 134 BPM), this version holds the same tempo in the same key.
Waiting For The Rain - Renato Cohen Remix is a peak-time tempo techno track in F♯ minor (11A) at 134 BPM. Tonally it lands dark and driving. The mix is almost entirely instrumental. The master keeps real dynamic headroom. A 2003 production that still circulates in sets. More underground than 99% of Chris Liebing's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 96% of Chris Liebing's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Waiting For The Rain - Renato Cohen Remix in?
Waiting For The Rain - Renato Cohen Remix by Chris Liebing is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Waiting For The Rain - Renato Cohen Remix?
Waiting For The Rain - Renato Cohen Remix runs at 134 BPM, a peak-time tempo track.
What mixes well with Waiting For The Rain - Renato Cohen Remix?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Waiting For The Rain - Renato Cohen Remix good for peak time?
With energy 100 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 134 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 100/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More techno
More from Chris Liebing
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
