Escape by Eli Brown cover art

Escape

Eli Brown

30s preview

Key
11A · F♯ minor
BPM
127
Open Key
4m
Energy
88/100
Pop
55/100
Length
3:11
Released
2021
Genre
Techno
Label
Factory 93 Records
Loudness
-8.9 dB
Dynamics
14.8 dB
ISRC
CA5KR2153416

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Escape runs 127 BPM in F♯ minor (11A), a peak-time tempo techno record. Tonally it lands dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 15 dB). Darker than 98% of Eli Brown's catalogue. In a set it works best as a peak-time weapon.

Reach:
better known than 98% of Eli Brown's catalogue
Groove:
less groove-driven than 93% of Eli Brown's catalogue
Low end:
more treble-tilted than 92% of Eli Brown's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood5Dark
Groove59
Acoustic0
Instrumental82
Live6
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
30%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
24%
Upper-mid
570 Hz-2.5 kHz
17%
High
2.5-11 kHz

FAQ

What key is Escape in?

Escape by Eli Brown is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Escape?

Escape runs at 127 BPM, a peak-time tempo track.

What mixes well with Escape?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Escape good for peak time?

With energy 88 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 127 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 88/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More techno

More from Eli Brown

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track