The Insanity of Infinty (Edit) by Marc Romboy cover art

The Insanity of Infinty (Edit)

Marc Romboy

30s preview

Key
9A · E minor
BPM
127
Open Key
2m
Energy
88/100
Pop
18/100
Length
4:32
Released
2026
Genre
Tech House
Loudness
-9.1 dB
Dynamics
9.3 dB
ISRC
DE1QW2600343

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

The Insanity of Infinty (Edit): peak-time tempo tech house, E minor (9A), 127 BPM. Tonally it lands dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 91% of Marc Romboy's catalogue. For programming, treat it as a peak-time weapon.

Energy:
hotter than 89% of Marc Romboy's catalogue
Groove:
less groove-driven than 86% of Marc Romboy's catalogue
Tempo:
faster than 81% of Marc Romboy's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy88
Mood24Dark
Groove57
Acoustic0
Instrumental63
Live15
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
31%
Low-mid
130-570 Hz
20%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is The Insanity of Infinty (Edit) in?

The Insanity of Infinty (Edit) by Marc Romboy is in E minor, or 9A on the Camelot wheel.

What BPM is The Insanity of Infinty (Edit)?

The Insanity of Infinty (Edit) runs at 127 BPM, a peak-time tempo track.

What mixes well with The Insanity of Infinty (Edit)?

From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.

Is The Insanity of Infinty (Edit) good for peak time?

With energy 88 out of 100 at 127 BPM, it works best as a peak-time weapon.

Mixes harmonically

9A8A · 10A · 9B

From 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.

Every move from 9A

10ASimple Mix Upper
8ASimple Mix Downer
9BTonal Shift·
10BDiagonal Mix Upper
8BDiagonal Mix Downer
6BCompatible Tone·
11AHigh Energy Boost▲▲▲
7AHigh Energy Drain▼▼▼
12AParallel Key Upper▲▲
6AParallel Key Downer▼▼
4ATritone Jump▲▲
1ARelated Keyrisky

How to mix it

In 9A at 127 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.

Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 88/100).

Similar tempo

Within ±3 BPM of 127 — beatmatch without a big tempo pull.

More tech house

More from Marc Romboy

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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