Distorted Reality by NoNameLeft cover art

Distorted Reality

NoNameLeft

30s preview

Key
11A · F♯ minor
BPM
134
Open Key
4m
Energy
97/100
Pop
16/100
Length
3:36
Released
2025
Album
Rolling Stone
Genre
Techno
Loudness
-6.3 dB
Dynamics
15.5 dB
ISRC
GBKQU2519116

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Distorted Reality: peak-time tempo techno, F♯ minor (11A), 134 BPM. It reads as dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 16 dB). Hotter than 96% of NoNameLeft's catalogue. In a set it works best as a peak-time weapon.

Low end:
more treble-tilted than 94% of NoNameLeft's catalogue
Tempo:
faster than 84% of NoNameLeft's catalogue
Groove:
less groove-driven than 77% of NoNameLeft's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy97
Mood33Dark
Groove69
Acoustic0
Instrumental71
Live42
Speech6

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
25%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
25%
Upper-mid
570 Hz-2.5 kHz
21%
High
2.5-11 kHz

FAQ

What key is Distorted Reality in?

Distorted Reality by NoNameLeft is in F♯ minor, or 11A on the Camelot wheel.

What BPM is Distorted Reality?

Distorted Reality runs at 134 BPM, a peak-time tempo track.

What mixes well with Distorted Reality?

From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.

Is Distorted Reality good for peak time?

With energy 97 out of 100 at 134 BPM, it works best as a peak-time weapon.

Mixes harmonically

11A10A · 12A · 11B

From 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.

#Track

Every move from 11A

12ASimple Mix Upper
10ASimple Mix Downer
11BTonal Shift·
12BDiagonal Mix Upper
10BDiagonal Mix Downer
8BCompatible Tone·
1AHigh Energy Boost▲▲▲
9AHigh Energy Drain▼▼▼
2AParallel Key Upper▲▲
8AParallel Key Downer▼▼
6ATritone Jump▲▲
3ARelated Keyrisky

How to mix it

In 11A at 134 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.

Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 97/100).

Similar tempo

Within ±3 BPM of 134 — beatmatch without a big tempo pull.

#Track

More techno

#Track

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Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track