All The Saints Have Been Hung
30s preview
- Key
- 9B · G major
- BPM
- 134
- Open Key
- 2d
- Energy
- 98/100
- Pop
- 0/100
- Length
- 7:44
- Released
- 2025
- Album
- Recordings
- Genre
- Techno
- Label
- Downwards
- Loudness
- -5.5 dB
- Dynamics
- 12.6 dB
- ISRC
- GBE5X2510243
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
All The Saints Have Been Hung: peak-time tempo techno, G major (9B), 134 BPM. The feel is dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). More underground than 99% of Regis's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 82% of Regis's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 33%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is All The Saints Have Been Hung in?
All The Saints Have Been Hung by Regis is in G major, or 9B on the Camelot wheel.
What BPM is All The Saints Have Been Hung?
All The Saints Have Been Hung runs at 134 BPM, a peak-time tempo track.
What mixes well with All The Saints Have Been Hung?
From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.
Is All The Saints Have Been Hung good for peak time?
With energy 98 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
9B → 8B · 10B · 9AFrom 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.
How to mix it
In 9B at 134 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 98/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More techno
More from Regis
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
