Transcendence - Edit
30s preview
- BPM
- 134
- Open Key
- 4m
- Energy
- 97/100
- Pop
- 27/100
- Length
- 5:03
- Released
- 2024
- Album
- Transcendence EP
- Genre
- Techno
- Label
- NINETOZERO
- Loudness
- -6.6 dB
- Dynamics
- 16.6 dB
- ISRC
- BE4JP2492007
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Transcendenceoriginal11A · 134
Against the original (11A at 134 BPM), this version holds the same tempo in the same key.
Transcendence - Edit: peak-time tempo techno, F♯ minor (11A), 134 BPM. The feel is dark and driving. Its spectrum is centred in the low-mids, warm and bass-forward. The master keeps unusual dynamic range for club music (crest 17 dB). Hotter than 98% of Enrico Sangiuliano's catalogue.
- Low end:
- more treble-tilted than 89% of Enrico Sangiuliano's catalogue
- Brightness:
- darker than 85% of Enrico Sangiuliano's catalogue
- Groove:
- less groove-driven than 83% of Enrico Sangiuliano's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Transcendence - Edit in?
Transcendence - Edit by Enrico Sangiuliano is in F♯ minor, or 11A on the Camelot wheel.
What BPM is Transcendence - Edit?
Transcendence - Edit runs at 134 BPM, a peak-time tempo track.
What mixes well with Transcendence - Edit?
From 11A it blends harmonically with 12A, 11B, 10A. Moving to 12A lifts the energy a step.
Is Transcendence - Edit good for peak time?
With energy 97 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
11A → 10A · 12A · 11BFrom 11A, 12A (D♭ minor) lifts the energy a step; 11B (A major) brightens to the relative major; 10A (B minor) cools the energy down a step.
How to mix it
In 11A at 134 BPM: 12A (D♭ minor) — move to 12A to push the floor harder; 11B (A major) — switch to 11B for a mood change without losing the groove; 10A (B minor) — drop to 10A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 6A rather than 11A; below -5% it reads as 4A. With key lock on, it stays 11A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 97/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More techno
More from Enrico Sangiuliano
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
