The Darkness Drops by Jody 6 cover art

The Darkness Drops

Jody 6

30s preview

Key
9B · G major
BPM
134
Open Key
2d
Energy
96/100
Pop
0/100
Length
4:15
Released
2023
Genre
Hard House
Loudness
-4.9 dB
Dynamics
8.7 dB
ISRC
UKACT2330431

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A peak-time tempo hard house cut, The Darkness Drops sits in G major (9B) at 134 BPM. It reads as dark and driving. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. More underground than 99% of Jody 6's catalogue. For programming, treat it as a peak-time weapon.

Tempo:
slower than 81% of Jody 6's catalogue
Low end:
more bass-heavy than 75% of Jody 6's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy96
Mood20Dark
Groove61
Acoustic0
Instrumental67
Live45
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
36%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is The Darkness Drops in?

The Darkness Drops by Jody 6 is in G major, or 9B on the Camelot wheel.

What BPM is The Darkness Drops?

The Darkness Drops runs at 134 BPM, a peak-time tempo track.

What mixes well with The Darkness Drops?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is The Darkness Drops good for peak time?

With energy 96 out of 100 at 134 BPM, it works best as a peak-time weapon.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

#Track

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 134 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a peak-time weapon — save it for the main stretch (energy 96/100).

Similar tempo

Within ±3 BPM of 134 — beatmatch without a big tempo pull.

#Track

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Full profile
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Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track