Where Have You Gone?
- BPM
- 134
- Open Key
- 3m
- Energy
- 96/100
- Pop
- 0/100
- Length
- 5:47
- Released
- 2018
- Genre
- Techno
- Loudness
- -7.6 dB
- ISRC
- QZHPJ1954489
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Where Have You Gone? is a peak-time tempo techno track in B minor (10A) at 134 BPM. The mix is almost entirely instrumental. A 2018 production that still circulates in sets. More underground than 99% of Héctor Oaks's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 82% of Héctor Oaks's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Where Have You Gone? in?
Where Have You Gone? by Héctor Oaks is in B minor, or 10A on the Camelot wheel.
What BPM is Where Have You Gone??
Where Have You Gone? runs at 134 BPM, a peak-time tempo track.
What mixes well with Where Have You Gone??
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Where Have You Gone? good for peak time?
With energy 96 out of 100 at 134 BPM, it works best as a peak-time weapon.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 134 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 126-142 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 96/100).
Similar tempo
Within ±3 BPM of 134 — beatmatch without a big tempo pull.
More techno
More from Héctor Oaks
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 134 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.