See You Again by Rufus Du Sol cover art

See You Again

Rufus Du Sol

30s preview

Key
7A · D minor
BPM
120
Open Key
12m
Energy
75/100
Pop
48/100
Length
5:20
Released
2021
Album
Surrender
Genre
Electro
Label
Rose Avenue
Loudness
-9.0 dB
Dynamics
10.0 dB
ISRC
USRE12100623

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

See You Again: club-tempo electro, D minor (7A), 120 BPM. Tonally it lands punchy, neutral in mood. Its spectrum is weighted to the sub and kick, with a heavy low end. Less groove-driven than 89% of Rufus Du Sol's catalogue. For programming, treat it as a mid-set roller.

Tempo:
slower than 88% of Rufus Du Sol's catalogue
Reach:
better known than 83% of Rufus Du Sol's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy75
Mood51Balanced
Groove54
Acoustic4
Instrumental34
Live21
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
35%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
15%
High
2.5-11 kHz

FAQ

What key is See You Again in?

See You Again by Rufus Du Sol is in D minor, or 7A on the Camelot wheel.

What BPM is See You Again?

See You Again runs at 120 BPM, a club-tempo track.

What mixes well with See You Again?

From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.

Is See You Again good for peak time?

With energy 75 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

7A6A · 8A · 7B

From 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.

Every move from 7A

8ASimple Mix Upper
6ASimple Mix Downer
7BTonal Shift·
8BDiagonal Mix Upper
6BDiagonal Mix Downer
4BCompatible Tone·
9AHigh Energy Boost▲▲▲
5AHigh Energy Drain▼▼▼
10AParallel Key Upper▲▲
4AParallel Key Downer▼▼
2ATritone Jump▲▲
11ARelated Keyrisky

How to mix it

In 7A at 120 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More electro

More from Rufus Du Sol

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track