Tears (with Paige Cavell) - Max Styler Remix
30s preview
- BPM
- 127
- Open Key
- 3d
- Energy
- 79/100
- Pop
- 50/100
- Length
- 4:13
- Released
- 2024
- Album
- Tears (with Paige Cavell) [Max Styler Remix]
- Genre
- House
- Loudness
- -6.3 dB
- Dynamics
- 10.5 dB
- ISRC
- USUG12406516
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Tearsoriginal9B · 126
- Tears (with Paige Cavell)original9B · 126
Against the original (9B at 126 BPM), this version runs 1 BPM faster and moves the key from 9B to 10B.
Tears (with Paige Cavell) - Max Styler Remix is a peak-time tempo house track in D major (10B) at 127 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Calmer than 79% of John Summit's catalogue. For programming, treat it as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Tears (with Paige Cavell) - Max Styler Remix in?
Tears (with Paige Cavell) - Max Styler Remix by John Summit is in D major, or 10B on the Camelot wheel.
What BPM is Tears (with Paige Cavell) - Max Styler Remix?
Tears (with Paige Cavell) - Max Styler Remix runs at 127 BPM, a peak-time tempo track.
What mixes well with Tears (with Paige Cavell) - Max Styler Remix?
From 10B it blends harmonically with 11B, 10A, 9B. Moving to 11B lifts the energy a step.
Is Tears (with Paige Cavell) - Max Styler Remix good for peak time?
With energy 79 out of 100 at 127 BPM, it works best as a peak-time weapon.
Mixes harmonically
10B → 9B · 11B · 10AFrom 10B, 11B (A major) lifts the energy a step; 10A (B minor) settles into the relative minor; 9B (G major) cools the energy down a step.
How to mix it
In 10B at 127 BPM: 11B (A major) — move to 11B to push the floor harder; 10A (B minor) — switch to 10A for a mood change without losing the groove; 9B (G major) — drop to 9B to bring the room down gently.
Pitch range at ±6%: 119-135 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5B rather than 10B; below -5% it reads as 3B. With key lock on, it stays 10B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 79/100).
Similar tempo
Within ±3 BPM of 127 — beatmatch without a big tempo pull.
More house
More from John Summit
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 127 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
