Smile - Radio Edit
30s preview
- BPM
- 125
- Open Key
- 8d
- Energy
- 81/100
- Pop
- 0/100
- Length
- 3:14
- Released
- 2015
- Album
- Smile (Radio Edit)
- Genre
- Progressive House
- Loudness
- -4.9 dB
- Dynamics
- 14.8 dB
- ISRC
- NLS241500436
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Smile - Original Mixoriginal3B · 125
Against the original (3B at 125 BPM), this version holds the same tempo in the same key.
Smile - Radio Edit runs 125 BPM in D♭ major (3B), a club-tempo progressive house record. Tonally it lands dark and driving. It is vocal-led. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 15 dB). A 2015 production that still circulates in sets. More underground than 99% of Marcus Schössow's catalogue. For programming, treat it as a peak-time weapon.
- Low end:
- more treble-tilted than 95% of Marcus Schössow's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 29%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Smile - Radio Edit in?
Smile - Radio Edit by Marcus Schössow is in D♭ major, or 3B on the Camelot wheel.
What BPM is Smile - Radio Edit?
Smile - Radio Edit runs at 125 BPM, a club-tempo track.
What mixes well with Smile - Radio Edit?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Smile - Radio Edit good for peak time?
With energy 81 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 81/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Marcus Schössow
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
