Buenos Aires - Nicolas Rada Remix
30s preview
- BPM
- 122
- Open Key
- 3m
- Energy
- 82/100
- Pop
- 8/100
- Length
- 8:39
- Released
- 2021
- Album
- Buenos Aires (Nicolas Rada Remix)
- Genre
- Progressive House
- Label
- Hope Recordings
- Loudness
- -8.5 dB
- Dynamics
- 15.3 dB
- ISRC
- GBKQU2130062
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Buenos Airesoriginal10A · 126
- Buenos Aires - Radio Editversion9A · 126
- Buenos Aires - Terry Lee Brown Jnr Mixoriginal1B · 124
- Buenos Aires - Applescal Remixremix6A · 116
- Buenos Aires - Deep in Palermo Mixoriginal6B · 127
- Buenos Aires - Mike Griego Deep Mixoriginal9B · 123
Against the original (10A at 126 BPM), this version runs 4 BPM slower in the same key.
Buenos Aires - Nicolas Rada Remix is a club-tempo progressive house track in B minor (10A) at 122 BPM. It reads as punchy, neutral in mood. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 15 dB). More treble-tilted than 96% of Nick Warren's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 78% of Nick Warren's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 30%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 26%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Buenos Aires - Nicolas Rada Remix in?
Buenos Aires - Nicolas Rada Remix by Nick Warren is in B minor, or 10A on the Camelot wheel.
What BPM is Buenos Aires - Nicolas Rada Remix?
Buenos Aires - Nicolas Rada Remix runs at 122 BPM, a club-tempo track.
What mixes well with Buenos Aires - Nicolas Rada Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Buenos Aires - Nicolas Rada Remix good for peak time?
With energy 82 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 122 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Nick Warren
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
![No Drama [extended mix] by James Hype cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/cd9f05e6416537babf2e.webp){kind=small}
