Old Times (feat. Anabel Englund)
30s preview
- BPM
- 122
- Open Key
- 8m
- Energy
- 83/100
- Pop
- 18/100
- Length
- 5:01
- Released
- 2018
- Genre
- House
- Loudness
- -4.3 dB
- Dynamics
- 12.9 dB
- ISRC
- USAT21800890
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Old Times (feat. Anabel Englund) - Juan Maclean Remixremix7B · 122
- Old Times (feat. Anabel Englund) - X-Coast Remixremix3A · 126
- Old Times (Skream remix)remix2B · 126
- Old Times (feat. Anabel Englund) - Gerd Janson Remixremix9B · 122
Old Times (feat. Anabel Englund) runs 122 BPM in B♭ minor (3A), a club-tempo house record. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 13 dB). A 2018 production that still circulates in sets. Groovier than 77% of Amtrac's catalogue. In a set it works best as a floor-filler.
- Energy:
- hotter than 76% of Amtrac's catalogue
- Reach:
- better known than 75% of Amtrac's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Old Times (feat. Anabel Englund) in?
Old Times (feat. Anabel Englund) by Amtrac is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Old Times (feat. Anabel Englund)?
Old Times (feat. Anabel Englund) runs at 122 BPM, a club-tempo track.
What mixes well with Old Times (feat. Anabel Englund)?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Old Times (feat. Anabel Englund) good for peak time?
With energy 83 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 122 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
![No Drama [extended mix] by James Hype cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/cd9f05e6416537babf2e.webp){kind=small}
More from Amtrac
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
