Nineties by Chaim cover art

Nineties

Chaim

30s preview

Key
3B · D♭ major
BPM
122
Open Key
8d
Energy
83/100
Pop
1/100
Length
6:11
Released
2016
Genre
Tech House
Loudness
-10.4 dB
Dynamics
16.9 dB
ISRC
USW691600013

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Nineties: club-tempo tech house, D♭ major (3B), 122 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 17 dB). A 2016 production that still circulates in sets. Hotter than 75% of Chaim's catalogue. In a set it works best as a floor-filler.

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood48Balanced
Groove75
Acoustic0
Instrumental83
Live7
Speech5

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
28%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Nineties in?

Nineties by Chaim is in D♭ major, or 3B on the Camelot wheel.

What BPM is Nineties?

Nineties runs at 122 BPM, a club-tempo track.

What mixes well with Nineties?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Nineties good for peak time?

With energy 83 out of 100 at 122 BPM, it works best as a floor-filler.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More tech house

More from Chaim

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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