Birds on a Wire - Damian Lazarus Re-Shape
30s preview
- BPM
- 122
- Open Key
- 8d
- Energy
- 83/100
- Pop
- 2/100
- Length
- 9:31
- Released
- 2021
- Album
- Birds on a Wire
- Genre
- Deep Techno
- Loudness
- -7.2 dB
- Dynamics
- 10.8 dB
- ISRC
- US83Z2102850
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Birds on a Wireoriginal5A · 122
A club-tempo deep techno cut, Birds on a Wire - Damian Lazarus Re-Shape sits in D♭ major (3B) at 122 BPM. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 99% of Marbs's catalogue. In a set it works best as a floor-filler.
- Energy:
- hotter than 88% of Marbs's catalogue
- Brightness:
- darker than 78% of Marbs's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Birds on a Wire - Damian Lazarus Re-Shape in?
Birds on a Wire - Damian Lazarus Re-Shape by Marbs is in D♭ major, or 3B on the Camelot wheel.
What BPM is Birds on a Wire - Damian Lazarus Re-Shape?
Birds on a Wire - Damian Lazarus Re-Shape runs at 122 BPM, a club-tempo track.
What mixes well with Birds on a Wire - Damian Lazarus Re-Shape?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Birds on a Wire - Damian Lazarus Re-Shape good for peak time?
With energy 83 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More deep techno
More from Marbs
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
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