Killa Booty by Sishi Rösch cover art

Killa Booty

Sishi Rösch

30s preview

Key
3A · B♭ minor
BPM
122
Open Key
8m
Energy
84/100
Pop
0/100
Length
6:53
Released
2013
Album
Killa Booty Ep
Genre
Tech House
Loudness
-8.5 dB
Dynamics
9.9 dB
ISRC
FR6V81711683

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Killa Booty runs 122 BPM in B♭ minor (3A), a club-tempo tech house record. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. More underground than 99% of Sishi Rösch's catalogue. In a set it works best as a floor-filler.

Brightness:
brighter than 86% of Sishi Rösch's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy84
Mood70Bright
Groove80
Acoustic0
Instrumental69
Live13
Speech7

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
30%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
13%
High
2.5-11 kHz

FAQ

What key is Killa Booty in?

Killa Booty by Sishi Rösch is in B♭ minor, or 3A on the Camelot wheel.

What BPM is Killa Booty?

Killa Booty runs at 122 BPM, a club-tempo track.

What mixes well with Killa Booty?

From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.

Is Killa Booty good for peak time?

With energy 84 out of 100 at 122 BPM, it works best as a floor-filler.

Mixes harmonically

3A2A · 4A · 3B

From 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.

Every move from 3A

4ASimple Mix Upper
2ASimple Mix Downer
3BTonal Shift·
4BDiagonal Mix Upper
2BDiagonal Mix Downer
12BCompatible Tone·
5AHigh Energy Boost▲▲▲
1AHigh Energy Drain▼▼▼
6AParallel Key Upper▲▲
12AParallel Key Downer▼▼
10ATritone Jump▲▲
7ARelated Keyrisky

How to mix it

In 3A at 122 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More tech house

More from Sishi Rösch

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track