That Is…!? (vinyl cut)
30s preview
- BPM
- 122
- Open Key
- 5m
- Energy
- 82/100
- Pop
- 0/100
- Length
- 6:08
- Released
- 2012
- Genre
- Tech House
- Loudness
- -9.1 dB
- Dynamics
- 10.9 dB
- ISRC
- DEL021220031
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
That Is…!? (vinyl cut) is a club-tempo tech house track in D♭ minor (12A) at 122 BPM. Tonally it lands dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2012 production that still circulates in sets. More underground than 99% of Alex Niggemann's catalogue. For programming, treat it as a floor-filler.
- Tempo:
- slower than 78% of Alex Niggemann's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is That Is…!? (vinyl cut) in?
That Is…!? (vinyl cut) by Alex Niggemann is in D♭ minor, or 12A on the Camelot wheel.
What BPM is That Is…!? (vinyl cut)?
That Is…!? (vinyl cut) runs at 122 BPM, a club-tempo track.
What mixes well with That Is…!? (vinyl cut)?
From 12A it blends harmonically with 1A, 12B, 11A. Moving to 1A lifts the energy a step.
Is That Is…!? (vinyl cut) good for peak time?
With energy 82 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
12A → 11A · 1A · 12BFrom 12A, 1A (A♭ minor) lifts the energy a step; 12B (E major) brightens to the relative major; 11A (F♯ minor) cools the energy down a step.
![No Drama [extended mix] by James Hype cover art](https://qzoszznbkkwwjtagnyok.supabase.co/storage/v1/object/public/dj-covers/cd9f05e6416537babf2e.webp){kind=small}
How to mix it
In 12A at 122 BPM: 1A (A♭ minor) — move to 1A to push the floor harder; 12B (E major) — switch to 12B for a mood change without losing the groove; 11A (F♯ minor) — drop to 11A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7A rather than 12A; below -5% it reads as 5A. With key lock on, it stays 12A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Alex Niggemann
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
