Eastern Love - Sébastien Léger Remix
30s preview
- BPM
- 122
- Open Key
- 8m
- Energy
- 82/100
- Pop
- 1/100
- Length
- 7:29
- Released
- 2014
- Album
- Eastern Love
- Genre
- Progressive House
- Loudness
- -8.1 dB
- Dynamics
- 11.0 dB
- ISRC
- USA2P1470860
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Eastern Loveoriginal10A · 122
Against the original (10A at 122 BPM), this version holds the same tempo and moves the key from 10A to 3A.
At 122 BPM in B♭ minor (3A), Eastern Love - Sébastien Léger Remix is a club-tempo progressive house production. The feel is bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2014 production that still circulates in sets. Brighter than 94% of Roy Rosenfeld's catalogue. In a set it works best as a floor-filler.
- Low end:
- more treble-tilted than 81% of Roy Rosenfeld's catalogue
- Tempo:
- slower than 80% of Roy Rosenfeld's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Eastern Love - Sébastien Léger Remix in?
Eastern Love - Sébastien Léger Remix by Roy Rosenfeld is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Eastern Love - Sébastien Léger Remix?
Eastern Love - Sébastien Léger Remix runs at 122 BPM, a club-tempo track.
What mixes well with Eastern Love - Sébastien Léger Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Eastern Love - Sébastien Léger Remix good for peak time?
With energy 82 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 122 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive house
More from Roy Rosenfeld
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
