Mirrors of Life - Third Son Remix by Rafael Cerato cover art

Mirrors of Life - Third Son Remix

Rafael Cerato

30s preview

Key
3B · D♭ major
BPM
122
Open Key
8d
Energy
81/100
Pop
0/100
Length
8:14
Released
2016
Album
Mirrors of Life
Genre
Tech House
Loudness
-8.9 dB
Dynamics
11.0 dB
ISRC
FR59R1698665

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Other versions

Against the original (7B at 123 BPM), this version runs 1 BPM slower and moves the key from 7B to 3B.

Mirrors of Life - Third Son Remix: club-tempo tech house, D♭ major (3B), 122 BPM. The feel is punchy, neutral in mood. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2016 production that still circulates in sets. More underground than 99% of Rafael Cerato's catalogue. For programming, treat it as a floor-filler.

Low end:
more bass-heavy than 88% of Rafael Cerato's catalogue
Tempo:
slower than 78% of Rafael Cerato's catalogue
Groove:
groovier than 76% of Rafael Cerato's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy81
Mood39Balanced
Groove79
Acoustic1
Instrumental91
Live7
Speech4

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
42%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
15%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Mirrors of Life - Third Son Remix in?

Mirrors of Life - Third Son Remix by Rafael Cerato is in D♭ major, or 3B on the Camelot wheel.

What BPM is Mirrors of Life - Third Son Remix?

Mirrors of Life - Third Son Remix runs at 122 BPM, a club-tempo track.

What mixes well with Mirrors of Life - Third Son Remix?

From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.

Is Mirrors of Life - Third Son Remix good for peak time?

With energy 81 out of 100 at 122 BPM, it works best as a floor-filler.

Mixes harmonically

3B2B · 4B · 3A

From 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.

Every move from 3B

4BSimple Mix Upper
2BSimple Mix Downer
3ATonal Shift·
4ADiagonal Mix Upper
2ADiagonal Mix Downer
6ACompatible Tone·
5BHigh Energy Boost▲▲▲
1BHigh Energy Drain▼▼▼
6BParallel Key Upper▲▲
12BParallel Key Downer▼▼
10BTritone Jump▲▲
7BRelated Keyrisky

How to mix it

In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.

Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 122 — beatmatch without a big tempo pull.

More tech house

More from Rafael Cerato

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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