Don't Stop!
30s preview
- BPM
- 122
- Open Key
- 8d
- Energy
- 81/100
- Pop
- 0/100
- Length
- 7:21
- Released
- 2005
- Album
- Jack Is Back / Don't Stop
- Genre
- Tech House
- Loudness
- -12.6 dB
- Dynamics
- 12.2 dB
- ISRC
- DEG840500330
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don’t Stop!original3B · 122
A club-tempo tech house cut, Don't Stop! sits in D♭ major (3B) at 122 BPM. The feel is bright and euphoric. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. The master keeps unusual dynamic range for club music (crest 12 dB). A 2005 production that still circulates in sets. More underground than 99% of Marc Romboy's catalogue. In a set it works best as a floor-filler.
- Brightness:
- brighter than 93% of Marc Romboy's catalogue
- Groove:
- groovier than 86% of Marc Romboy's catalogue
- Tempo:
- slower than 83% of Marc Romboy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Don't Stop! in?
Don't Stop! by Marc Romboy is in D♭ major, or 3B on the Camelot wheel.
What BPM is Don't Stop!?
Don't Stop! runs at 122 BPM, a club-tempo track.
What mixes well with Don't Stop!?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Don't Stop! good for peak time?
With energy 81 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 122 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More tech house
More from Marc Romboy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
