Work of Art (feat. Alexander Tidebrink) - Kryder Remix
30s preview
- BPM
- 122
- Open Key
- 8m
- Energy
- 80/100
- Pop
- 3/100
- Length
- 5:19
- Released
- 2018
- Album
- Work of Art (Remixes) (feat. Alexander Tidebrink)
- Genre
- House
- Loudness
- -6.5 dB
- Dynamics
- 13.2 dB
- ISRC
- DEQ321800214
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Work of Art (feat. Alexander Tidebrink)original3B · 108
- Work of Art (feat. Alexander Tidebrink) - Kryder Remix Radio Editremix3A · 122
- Work of Art (feat. Alexander Tidebrink) - Nhan Solo Remixremix4B · 123
- Work of Art (feat. Alexander Tidebrink) - Nhan Solo Remix Radio Editremix3B · 123
Against the original (3B at 108 BPM), this version runs 14 BPM faster and moves the key from 3B to 3A.
Work of Art (feat. Alexander Tidebrink) - Kryder Remix is a club-tempo house track in B♭ minor (3A) at 122 BPM. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2018 production that still circulates in sets. Groovier than 77% of Wankelmut's catalogue.
- Low end:
- more treble-tilted than 76% of Wankelmut's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is Work of Art (feat. Alexander Tidebrink) - Kryder Remix in?
Work of Art (feat. Alexander Tidebrink) - Kryder Remix by Wankelmut is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Work of Art (feat. Alexander Tidebrink) - Kryder Remix?
Work of Art (feat. Alexander Tidebrink) - Kryder Remix runs at 122 BPM, a club-tempo track.
What mixes well with Work of Art (feat. Alexander Tidebrink) - Kryder Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Work of Art (feat. Alexander Tidebrink) - Kryder Remix good for peak time?
With energy 80 out of 100 at 122 BPM, it works best as a floor-filler.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 122 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More house
More from Wankelmut
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
