Free At Last - Mousse T. Remix
30s preview
- Key
- 5A · C minor
- BPM
- 125
- Open Key
- 10m
- Energy
- 89/100
- Pop
- 37/100
- Length
- 3:29
- Released
- 2020
- Album
- Free At Last (Mousse T. Remix)
- Genre
- House
- Loudness
- -4.1 dB
- Dynamics
- 14.2 dB
- ISRC
- GBJAJ2002875
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Free At Last - Martin Ikin Remixremix4A · 125
- Free At Last - Mousse T. Extended Mixversion5A · 125
- Free At Last - Martin Ikin Extended Remixremix4A · 125
- Free at Last (Martin Ikin dub)version4B · 125
- Free At Lastoriginal4B · 125
- Free At Last - Extended Mixversion4B · 125
Against the original (4B at 125 BPM), this version holds the same tempo and moves the key from 4B to 5A.
At 125 BPM in C minor (5A), Free At Last - Mousse T. Remix is a club-tempo house production. The feel is bright and euphoric. The groove is strong and floor-ready. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 14 dB). Better known than 95% of Wankelmut's catalogue.
- Low end:
- more treble-tilted than 95% of Wankelmut's catalogue
- Energy:
- hotter than 80% of Wankelmut's catalogue
- Tempo:
- faster than 75% of Wankelmut's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 24%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Free At Last - Mousse T. Remix in?
Free At Last - Mousse T. Remix by Wankelmut is in C minor, or 5A on the Camelot wheel.
What BPM is Free At Last - Mousse T. Remix?
Free At Last - Mousse T. Remix runs at 125 BPM, a club-tempo track.
What mixes well with Free At Last - Mousse T. Remix?
From 5A it blends harmonically with 6A, 5B, 4A. Moving to 6A lifts the energy a step.
Is Free At Last - Mousse T. Remix good for peak time?
With energy 89 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
5A → 4A · 6A · 5BFrom 5A, 6A (G minor) lifts the energy a step; 5B (E♭ major) brightens to the relative major; 4A (F minor) cools the energy down a step.
How to mix it
In 5A at 125 BPM: 6A (G minor) — move to 6A to push the floor harder; 5B (E♭ major) — switch to 5B for a mood change without losing the groove; 4A (F minor) — drop to 4A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 12A rather than 5A; below -5% it reads as 10A. With key lock on, it stays 5A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Wankelmut
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
