Free At Last - Martin Ikin Remix
30s preview
- Key
- 4A · F minor
- BPM
- 125
- Open Key
- 9m
- Energy
- 92/100
- Pop
- 35/100
- Length
- 3:21
- Released
- 2020
- Album
- Free At Last
- Genre
- House
- Label
- Toolroom Records
- Loudness
- -5.9 dB
- Dynamics
- 9.9 dB
- ISRC
- GBJAJ2002518
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Free At Last - Mousse T. Remixremix5A · 125
- Free At Last - Mousse T. Extended Mixversion5A · 125
- Free At Last - Martin Ikin Extended Remixremix4A · 125
- Free at Last (Martin Ikin dub)version4B · 125
- Free At Lastoriginal4B · 125
- Free At Last - Extended Mixversion4B · 125
Against the original (4B at 125 BPM), this version holds the same tempo and moves the key from 4B to 4A.
A club-tempo house cut, Free At Last - Martin Ikin Remix sits in F minor (4A) at 125 BPM. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 93% of Wankelmut's catalogue. For programming, treat it as a peak-time weapon.
- Energy:
- hotter than 91% of Wankelmut's catalogue
- Low end:
- more bass-heavy than 80% of Wankelmut's catalogue
- Tempo:
- faster than 75% of Wankelmut's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Free At Last - Martin Ikin Remix in?
Free At Last - Martin Ikin Remix by Wankelmut is in F minor, or 4A on the Camelot wheel.
What BPM is Free At Last - Martin Ikin Remix?
Free At Last - Martin Ikin Remix runs at 125 BPM, a club-tempo track.
What mixes well with Free At Last - Martin Ikin Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Free At Last - Martin Ikin Remix good for peak time?
With energy 92 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 92/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Wankelmut
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
