Destination Lost - Arodes Extended Remix
30s preview
- BPM
- 125
- Open Key
- 8m
- Energy
- 93/100
- Pop
- 14/100
- Length
- 7:02
- Released
- 2024
- Album
- Destination Lost (Arodes Remix)
- Genre
- Deep House
- Loudness
- -7.0 dB
- Dynamics
- 9.1 dB
- ISRC
- NLF712405662
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Destination Lostoriginal4A · 125
- Destination Lost - Andrea Oliva Extended Remixremix4A · 125
- Destination Lost - Andrea Oliva Remixremix4A · 125
- Destination Lost - Arodes Remixremix3A · 125
- Destination Lost (Would You Miss Me Around) - Extended Mixversion3B · 125
- Destination Lost (Would You Miss Me Around)original3B · 125
Against the original (4A at 125 BPM), this version holds the same tempo and moves the key from 4A to 3A.
Destination Lost - Arodes Extended Remix is a club-tempo deep house track in B♭ minor (3A) at 125 BPM. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Hotter than 97% of Jan Blomqvist's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- faster than 90% of Jan Blomqvist's catalogue
- Low end:
- more bass-heavy than 88% of Jan Blomqvist's catalogue
- Groove:
- groovier than 79% of Jan Blomqvist's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 42%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 10%
- High
- 2.5-11 kHz
FAQ
What key is Destination Lost - Arodes Extended Remix in?
Destination Lost - Arodes Extended Remix by Jan Blomqvist is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Destination Lost - Arodes Extended Remix?
Destination Lost - Arodes Extended Remix runs at 125 BPM, a club-tempo track.
What mixes well with Destination Lost - Arodes Extended Remix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Destination Lost - Arodes Extended Remix good for peak time?
With energy 93 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 125 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 93/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More deep house
More from Jan Blomqvist
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
