Free At Last - Martin Ikin Extended Remix
30s preview
- Key
- 4A · F minor
- BPM
- 125
- Open Key
- 9m
- Energy
- 89/100
- Pop
- 8/100
- Length
- 5:46
- Released
- 2020
- Album
- Free At Last
- Genre
- House
- Label
- Toolroom Records
- Loudness
- -6.0 dB
- Dynamics
- 16.7 dB
- ISRC
- GBJAJ2002520
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Free At Last - Mousse T. Remixremix5A · 125
- Free At Last - Martin Ikin Remixremix4A · 125
- Free At Last - Mousse T. Extended Mixversion5A · 125
- Free at Last (Martin Ikin dub)version4B · 125
- Free At Lastoriginal4B · 125
- Free At Last - Extended Mixversion4B · 125
Against the original (4B at 125 BPM), this version holds the same tempo and moves the key from 4B to 4A.
Free At Last - Martin Ikin Extended Remix runs 125 BPM in F minor (4A), a club-tempo house record. It reads as punchy, neutral in mood. Rhythmically it is built for the dancefloor. The master keeps unusual dynamic range for club music (crest 17 dB). More treble-tilted than 93% of Wankelmut's catalogue. In a set it works best as a peak-time weapon.
- Energy:
- hotter than 83% of Wankelmut's catalogue
- Tempo:
- faster than 75% of Wankelmut's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 27%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Free At Last - Martin Ikin Extended Remix in?
Free At Last - Martin Ikin Extended Remix by Wankelmut is in F minor, or 4A on the Camelot wheel.
What BPM is Free At Last - Martin Ikin Extended Remix?
Free At Last - Martin Ikin Extended Remix runs at 125 BPM, a club-tempo track.
What mixes well with Free At Last - Martin Ikin Extended Remix?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Free At Last - Martin Ikin Extended Remix good for peak time?
With energy 89 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 125 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 89/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Wankelmut
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
