Free at Last (Martin Ikin dub)
30s preview
- BPM
- 125
- Open Key
- 9d
- Energy
- 90/100
- Pop
- 7/100
- Length
- 3:36
- Released
- 2020
- Genre
- House
- Loudness
- -6.6 dB
- Dynamics
- 13.7 dB
- ISRC
- GBJAJ2002873
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Free At Last - Mousse T. Remixremix5A · 125
- Free At Last - Martin Ikin Remixremix4A · 125
- Free At Last - Mousse T. Extended Mixversion5A · 125
- Free At Last - Martin Ikin Extended Remixremix4A · 125
- Free At Lastoriginal4B · 125
- Free At Last - Extended Mixversion4B · 125
Against the original (4B at 125 BPM), this version holds the same tempo in the same key.
Free at Last (Martin Ikin dub) runs 125 BPM in A♭ major (4B), a club-tempo house record. The feel is punchy, neutral in mood. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 14 dB). Groovier than 87% of Wankelmut's catalogue.
- Energy:
- hotter than 85% of Wankelmut's catalogue
- Brightness:
- darker than 76% of Wankelmut's catalogue
- Tempo:
- faster than 75% of Wankelmut's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 15%
- High
- 2.5-11 kHz
FAQ
What key is Free at Last (Martin Ikin dub) in?
Free at Last (Martin Ikin dub) by Wankelmut is in A♭ major, or 4B on the Camelot wheel.
What BPM is Free at Last (Martin Ikin dub)?
Free at Last (Martin Ikin dub) runs at 125 BPM, a club-tempo track.
What mixes well with Free at Last (Martin Ikin dub)?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Free at Last (Martin Ikin dub) good for peak time?
With energy 90 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 125 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 90/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More house
More from Wankelmut
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
