Got The Power
30s preview
- BPM
- 125
- Open Key
- 9d
- Energy
- 94/100
- Pop
- 0/100
- Length
- 6:24
- Released
- 2017
- Album
- Got the Power EP
- Genre
- Techno
- Loudness
- -5.0 dB
- Dynamics
- 13.1 dB
- ISRC
- GB8PY1700097
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Got The Poweroriginal12B · 125
- Got The Poweroriginal11B · 125
At 125 BPM in A♭ major (4B), Got The Power is a club-tempo techno production. The feel is dark and driving. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 13 dB). A 2017 production that still circulates in sets. More underground than 99% of Eli Brown's catalogue. In a set it works best as a peak-time weapon.
- Tempo:
- slower than 96% of Eli Brown's catalogue
- Brightness:
- darker than 84% of Eli Brown's catalogue
- Low end:
- more treble-tilted than 84% of Eli Brown's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 26%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 20%
- High
- 2.5-11 kHz
FAQ
What key is Got The Power in?
Got The Power by Eli Brown is in A♭ major, or 4B on the Camelot wheel.
What BPM is Got The Power?
Got The Power runs at 125 BPM, a club-tempo track.
What mixes well with Got The Power?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Got The Power good for peak time?
With energy 94 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 125 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 94/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More techno
More from Eli Brown
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
