Follow Me (To A Place Called Love) - Marco Lys Extended Mix
30s preview
- BPM
- 125
- Open Key
- 8d
- Energy
- 88/100
- Pop
- 7/100
- Length
- 6:26
- Released
- 2023
- Album
- Follow Me (To A Place Called Love) [Marco Lys Mix]
- Genre
- Tech House
- Loudness
- -5.4 dB
- Dynamics
- 13.2 dB
- ISRC
- NLF712301166
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Follow Me (To A Place Called Love) - Marco Lys Mixoriginal3B · 125
Against the original (3B at 125 BPM), this version holds the same tempo in the same key.
Follow Me (To A Place Called Love) - Marco Lys Extended Mix: club-tempo tech house, D♭ major (3B), 125 BPM. Tonally it lands bright and euphoric. The master keeps unusual dynamic range for club music (crest 13 dB). Brighter than 99% of Marco Lys's catalogue. In a set it works best as a peak-time weapon.
- Low end:
- more treble-tilted than 95% of Marco Lys's catalogue
- Reach:
- better known than 78% of Marco Lys's catalogue
- Groove:
- less groove-driven than 75% of Marco Lys's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 25%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 25%
- Upper-mid
- 570 Hz-2.5 kHz
- 21%
- High
- 2.5-11 kHz
FAQ
What key is Follow Me (To A Place Called Love) - Marco Lys Extended Mix in?
Follow Me (To A Place Called Love) - Marco Lys Extended Mix by Marco Lys is in D♭ major, or 3B on the Camelot wheel.
What BPM is Follow Me (To A Place Called Love) - Marco Lys Extended Mix?
Follow Me (To A Place Called Love) - Marco Lys Extended Mix runs at 125 BPM, a club-tempo track.
What mixes well with Follow Me (To A Place Called Love) - Marco Lys Extended Mix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Follow Me (To A Place Called Love) - Marco Lys Extended Mix good for peak time?
With energy 88 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 125 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 88/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More tech house
More from Marco Lys
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
