I'm Watching You (So Many Times) (extended mix)
30s preview
- Key
- 7A · D minor
- BPM
- 125
- Open Key
- 12m
- Energy
- 87/100
- Pop
- 10/100
- Length
- 7:18
- Released
- 2025
- Genre
- Progressive House
- Loudness
- -5.7 dB
- Dynamics
- 11.3 dB
- ISRC
- NLF712506065
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
I'm Watching You (So Many Times) (extended mix) runs 125 BPM in D minor (7A), a club-tempo progressive house record. Tonally it lands bright and euphoric. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). Brighter than 84% of Franky Wah's catalogue. In a set it works best as a peak-time weapon.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 20%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is I'm Watching You (So Many Times) (extended mix) in?
I'm Watching You (So Many Times) (extended mix) by Franky Wah is in D minor, or 7A on the Camelot wheel.
What BPM is I'm Watching You (So Many Times) (extended mix)?
I'm Watching You (So Many Times) (extended mix) runs at 125 BPM, a club-tempo track.
What mixes well with I'm Watching You (So Many Times) (extended mix)?
From 7A it blends harmonically with 8A, 7B, 6A. Moving to 8A lifts the energy a step.
Is I'm Watching You (So Many Times) (extended mix) good for peak time?
With energy 87 out of 100 at 125 BPM, it works best as a peak-time weapon.
Mixes harmonically
7A → 6A · 8A · 7BFrom 7A, 8A (A minor) lifts the energy a step; 7B (F major) brightens to the relative major; 6A (G minor) cools the energy down a step.
How to mix it
In 7A at 125 BPM: 8A (A minor) — move to 8A to push the floor harder; 7B (F major) — switch to 7B for a mood change without losing the groove; 6A (G minor) — drop to 6A to bring the room down gently.
Pitch range at ±6%: 117-133 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2A rather than 7A; below -5% it reads as 12A. With key lock on, it stays 7A across the whole range.
Programming: a peak-time weapon — save it for the main stretch (energy 87/100).
Similar tempo
Within ±3 BPM of 125 — beatmatch without a big tempo pull.
More progressive house
More from Franky Wah
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 125 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
