Work of Art (feat. Alexander Tidebrink)
30s preview
- BPM
- 108
- Open Key
- 8d
- Energy
- 68/100
- Pop
- 21/100
- Length
- 3:01
- Released
- 2018
- Genre
- House
- Loudness
- -5.5 dB
- Dynamics
- 11.2 dB
- ISRC
- DEQ321800128
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
A mid-tempo house cut, Work of Art (feat. Alexander Tidebrink) sits in D♭ major (3B) at 108 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 11 dB). A 2018 production that still circulates in sets. Darker than 99% of Wankelmut's catalogue. For programming, treat it as a mid-set roller.
- Tempo:
- slower than 98% of Wankelmut's catalogue
- Reach:
- better known than 82% of Wankelmut's catalogue
- Low end:
- more treble-tilted than 77% of Wankelmut's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 32%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is Work of Art (feat. Alexander Tidebrink) in?
Work of Art (feat. Alexander Tidebrink) by Wankelmut is in D♭ major, or 3B on the Camelot wheel.
What BPM is Work of Art (feat. Alexander Tidebrink)?
Work of Art (feat. Alexander Tidebrink) runs at 108 BPM, a mid-tempo track.
What mixes well with Work of Art (feat. Alexander Tidebrink)?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Work of Art (feat. Alexander Tidebrink) good for peak time?
With energy 68 out of 100 at 108 BPM, it works best as a mid-set roller.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 108 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 102-114 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 108 — beatmatch without a big tempo pull.
More house
More from Wankelmut
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 108 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
