Whitefence - Anja Schneider Remix
30s preview
- BPM
- 126
- Open Key
- 8d
- Energy
- 72/100
- Pop
- 6/100
- Length
- 6:14
- Released
- 2023
- Album
- Whitefence (Anja Schneider Remix)
- Genre
- Progressive House
- Label
- Desert Hearts Black
- Loudness
- -9.1 dB
- Dynamics
- 10.5 dB
- ISRC
- US83Z2330605
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Whitefenceoriginal4A · 126
Against the original (4A at 126 BPM), this version holds the same tempo and moves the key from 4A to 3B.
Whitefence - Anja Schneider Remix: club-tempo progressive house, D♭ major (3B), 126 BPM. Tonally it lands dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Better known than 80% of Marbs's catalogue. For programming, treat it as a floor-filler.
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 39%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 17%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Whitefence - Anja Schneider Remix in?
Whitefence - Anja Schneider Remix by Marbs is in D♭ major, or 3B on the Camelot wheel.
What BPM is Whitefence - Anja Schneider Remix?
Whitefence - Anja Schneider Remix runs at 126 BPM, a club-tempo track.
What mixes well with Whitefence - Anja Schneider Remix?
From 3B it blends harmonically with 4B, 3A, 2B. Moving to 4B lifts the energy a step.
Is Whitefence - Anja Schneider Remix good for peak time?
With energy 72 out of 100 at 126 BPM, it works best as a floor-filler.
Mixes harmonically
3B → 2B · 4B · 3AFrom 3B, 4B (A♭ major) lifts the energy a step; 3A (B♭ minor) settles into the relative minor; 2B (F♯ major) cools the energy down a step.
How to mix it
In 3B at 126 BPM: 4B (A♭ major) — move to 4B to push the floor harder; 3A (B♭ minor) — switch to 3A for a mood change without losing the groove; 2B (F♯ major) — drop to 2B to bring the room down gently.
Pitch range at ±6%: 118-134 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10B rather than 3B; below -5% it reads as 8B. With key lock on, it stays 3B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 126 — beatmatch without a big tempo pull.
More progressive house
More from Marbs
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 126 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
