
Enemies - Estiva Club Mix
30s preview
- BPM
- 122
- Open Key
- 8m
- Energy
- 87/100
- Pop
- 7/100
- Length
- 5:03
- Released
- 2021
- Album
- Enemies (Remixes)
- Genre
- Progressive Trance
- Loudness
- -7.0 dB
- Dynamics
- 10.0 dB
- ISRC
- GBKQU2137040
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Enemies - Che-Yung Remixremix3A · 123
- Enemies - Che-Yung Extended Remixremix3A · 123
- Enemies - Estiva Extended Club Mixversion3A · 122
- Enemiesoriginal3A · 124
- Enemies - Extended Mixversion2B · 124
Against the original (3A at 124 BPM), this version runs 2 BPM slower in the same key.
Enemies - Estiva Club Mix is a club-tempo progressive trance track in B♭ minor (3A) at 122 BPM. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 95% of Estiva's catalogue.
- Low end:
- more bass-heavy than 76% of Estiva's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 37%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 23%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is Enemies - Estiva Club Mix in?
Enemies - Estiva Club Mix by Estiva is in B♭ minor, or 3A on the Camelot wheel.
What BPM is Enemies - Estiva Club Mix?
Enemies - Estiva Club Mix runs at 122 BPM, a club-tempo track.
What mixes well with Enemies - Estiva Club Mix?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is Enemies - Estiva Club Mix good for peak time?
With energy 87 out of 100 at 122 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 122 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 115-129 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 122 — beatmatch without a big tempo pull.
More progressive trance
More from Estiva
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 122 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.