People Can Fly - Chaim Rework
30s preview
- BPM
- 120
- Open Key
- 6m
- Energy
- 63/100
- Pop
- 15/100
- Length
- 6:47
- Released
- 2022
- Album
- In Trance We Trust
- Genre
- Progressive Trance
- Label
- Blue Shadow
- Loudness
- -10.9 dB
- Dynamics
- 9.8 dB
- ISRC
- GBJX32155033
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
People Can Fly - Chaim Rework is a club-tempo progressive trance track in A♭ minor (1A) at 120 BPM. Tonally it lands punchy, neutral in mood. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps real dynamic headroom. More bass-heavy than 96% of Chaim's catalogue. In a set it works best as a mid-set roller.
- Tempo:
- slower than 92% of Chaim's catalogue
- Reach:
- better known than 89% of Chaim's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 49%
- Low
- 30-130 Hz
- 35%
- Low-mid
- 130-570 Hz
- 14%
- Upper-mid
- 570 Hz-2.5 kHz
- 2%
- High
- 2.5-11 kHz
FAQ
What key is People Can Fly - Chaim Rework in?
People Can Fly - Chaim Rework by Chaim is in A♭ minor, or 1A on the Camelot wheel.
What BPM is People Can Fly - Chaim Rework?
People Can Fly - Chaim Rework runs at 120 BPM, a club-tempo track.
What mixes well with People Can Fly - Chaim Rework?
From 1A it blends harmonically with 2A, 1B, 12A. Moving to 2A lifts the energy a step.
Is People Can Fly - Chaim Rework good for peak time?
With energy 63 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
1A → 12A · 2A · 1BFrom 1A, 2A (E♭ minor) lifts the energy a step; 1B (B major) brightens to the relative major; 12A (D♭ minor) cools the energy down a step.
How to mix it
In 1A at 120 BPM: 2A (E♭ minor) — move to 2A to push the floor harder; 1B (B major) — switch to 1B for a mood change without losing the groove; 12A (D♭ minor) — drop to 12A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 8A rather than 1A; below -5% it reads as 6A. With key lock on, it stays 1A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive trance
More from Chaim
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
