Autumn's Feathers - Jody Wisternoff & James Grant Remix by Jody Wisternoff cover art

Autumn's Feathers - Jody Wisternoff & James Grant Remix

Jody Wisternoff

30s preview

Key
4A · F minor
BPM
120
Open Key
9m
Energy
63/100
Pop
11/100
Length
4:11
Released
2019
Album
James Grant & Jody Wisternoff’s Anjunadeep 10 Remix Sampler
Genre
Progressive House
Loudness
-9.7 dB
Dynamics
12.2 dB
ISRC
GBEWA1900901

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

A club-tempo progressive house cut, Autumn's Feathers - Jody Wisternoff & James Grant Remix sits in F minor (4A) at 120 BPM. It reads as dark and driving. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Slower than 95% of Jody Wisternoff's catalogue. In a set it works best as a mid-set roller.

Brightness:
darker than 86% of Jody Wisternoff's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy63
Mood7Dark
Groove67
Acoustic3
Instrumental81
Live10
Speech3

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
37%
Low
30-130 Hz
32%
Low-mid
130-570 Hz
21%
Upper-mid
570 Hz-2.5 kHz
10%
High
2.5-11 kHz

FAQ

What key is Autumn's Feathers - Jody Wisternoff & James Grant Remix in?

Autumn's Feathers - Jody Wisternoff & James Grant Remix by Jody Wisternoff is in F minor, or 4A on the Camelot wheel.

What BPM is Autumn's Feathers - Jody Wisternoff & James Grant Remix?

Autumn's Feathers - Jody Wisternoff & James Grant Remix runs at 120 BPM, a club-tempo track.

What mixes well with Autumn's Feathers - Jody Wisternoff & James Grant Remix?

From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.

Is Autumn's Feathers - Jody Wisternoff & James Grant Remix good for peak time?

With energy 63 out of 100 at 120 BPM, it works best as a mid-set roller.

Mixes harmonically

4A3A · 5A · 4B

From 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.

Every move from 4A

5ASimple Mix Upper
3ASimple Mix Downer
4BTonal Shift·
5BDiagonal Mix Upper
3BDiagonal Mix Downer
1BCompatible Tone·
6AHigh Energy Boost▲▲▲
2AHigh Energy Drain▼▼▼
7AParallel Key Upper▲▲
1AParallel Key Downer▼▼
11ATritone Jump▲▲
8ARelated Keyrisky

How to mix it

In 4A at 120 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.

Programming: a mid-set roller.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More progressive house

More from Jody Wisternoff

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track