White Noise - Live From Bonnaroo 2014
- BPM
- 120
- Open Key
- 8m
- Energy
- 64/100
- Pop
- 0/100
- Length
- 4:25
- Released
- 2013
- Album
- Spotify Sessions (Live from Bonnaroo 2014)
- Genre
- House
- Loudness
- -16.4 dB
- ISRC
- GBUM71306442
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- White Noiseoriginal3A · 120
- White Noiseoriginal3A · 120
- White Noise (feat. AlunaGeorge)original3A · 120
- White Noise - HudMo Remixremix4A · 132
Against the original (3A at 120 BPM), this version holds the same tempo in the same key.
At 120 BPM in B♭ minor (3A), White Noise - Live From Bonnaroo 2014 is a club-tempo house production. Tonally it lands bright and euphoric. It is vocal-led. The master keeps real dynamic headroom. A 2013 production that still circulates in sets. More underground than 99% of Disclosure's catalogue. For programming, treat it as a mid-set roller.
- Brightness:
- brighter than 82% of Disclosure's catalogue
- Groove:
- less groove-driven than 81% of Disclosure's catalogue
- Tempo:
- slower than 80% of Disclosure's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is White Noise - Live From Bonnaroo 2014 in?
White Noise - Live From Bonnaroo 2014 by Disclosure is in B♭ minor, or 3A on the Camelot wheel.
What BPM is White Noise - Live From Bonnaroo 2014?
White Noise - Live From Bonnaroo 2014 runs at 120 BPM, a club-tempo track.
What mixes well with White Noise - Live From Bonnaroo 2014?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is White Noise - Live From Bonnaroo 2014 good for peak time?
With energy 64 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 120 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
More from Disclosure
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
