White Noise
30s preview
- BPM
- 120
- Open Key
- 8m
- Energy
- 84/100
- Pop
- 0/100
- Length
- 4:38
- Released
- 2013
- Genre
- House
- Loudness
- -6.2 dB
- Dynamics
- 11.8 dB
- ISRC
- GBUM71302855
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- White Noise - Live From Bonnaroo 2014original3A · 120
- White Noiseoriginal3A · 120
- White Noise (feat. AlunaGeorge)original3A · 120
- White Noise - HudMo Remixremix4A · 132
A club-tempo house cut, White Noise sits in B♭ minor (3A) at 120 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2013 production that still circulates in sets. More underground than 99% of Disclosure's catalogue.
- Brightness:
- brighter than 98% of Disclosure's catalogue
- Tempo:
- slower than 80% of Disclosure's catalogue
- Low end:
- more treble-tilted than 80% of Disclosure's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 31%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 24%
- Upper-mid
- 570 Hz-2.5 kHz
- 18%
- High
- 2.5-11 kHz
FAQ
What key is White Noise in?
White Noise by Disclosure is in B♭ minor, or 3A on the Camelot wheel.
What BPM is White Noise?
White Noise runs at 120 BPM, a club-tempo track.
What mixes well with White Noise?
From 3A it blends harmonically with 4A, 3B, 2A. Moving to 4A lifts the energy a step.
Is White Noise good for peak time?
With energy 84 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
3A → 2A · 4A · 3BFrom 3A, 4A (F minor) lifts the energy a step; 3B (D♭ major) brightens to the relative major; 2A (E♭ minor) cools the energy down a step.
How to mix it
In 3A at 120 BPM: 4A (F minor) — move to 4A to push the floor harder; 3B (D♭ major) — switch to 3B for a mood change without losing the groove; 2A (E♭ minor) — drop to 2A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 10A rather than 3A; below -5% it reads as 8A. With key lock on, it stays 3A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More house
![Latch (Kaik Remix) [feat. Sam Smith] by Disclosure cover art](https://i.scdn.co/image/ab67616d00001e02140d74c641b1e470e2da0871){kind=small}
More from Disclosure
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
