Don't Want You Back by Lane 8 cover art

Don't Want You Back

Lane 8

Key
7B · F major
BPM
120
Open Key
12d
Energy
83/100
Pop
0/100
Length
5:25
Released
2012
Album
Lane 8
Genre
Deep House
Loudness
-7.1 dB

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

Don't Want You Back: club-tempo deep house, F major (7B), 120 BPM. It reads as punchy, neutral in mood. A 2012 production that still circulates in sets. More underground than 99% of Lane 8's catalogue. In a set it works best as a floor-filler.

Tempo:
slower than 97% of Lane 8's catalogue
Brightness:
brighter than 90% of Lane 8's catalogue
Energy:
hotter than 84% of Lane 8's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood51Balanced
Groove70
Acoustic0
Instrumental31
Live7
Speech4

Frequency spectrum

amplitude · bass → treble

FAQ

What key is Don't Want You Back in?

Don't Want You Back by Lane 8 is in F major, or 7B on the Camelot wheel.

What BPM is Don't Want You Back?

Don't Want You Back runs at 120 BPM, a club-tempo track.

What mixes well with Don't Want You Back?

From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.

Is Don't Want You Back good for peak time?

With energy 83 out of 100 at 120 BPM, it works best as a floor-filler.

Mixes harmonically

7B6B · 8B · 7A

From 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.

Every move from 7B

8BSimple Mix Upper
6BSimple Mix Downer
7ATonal Shift·
8ADiagonal Mix Upper
6ADiagonal Mix Downer
10ACompatible Tone·
9BHigh Energy Boost▲▲▲
5BHigh Energy Drain▼▼▼
10BParallel Key Upper▲▲
4BParallel Key Downer▼▼
2BTritone Jump▲▲
11BRelated Keyrisky

How to mix it

In 7B at 120 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More deep house

More from Lane 8

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track