
Don't Want You Back
- Key
- 7B · F major
- BPM
- 120
- Open Key
- 12d
- Energy
- 83/100
- Pop
- 0/100
- Length
- 5:25
- Released
- 2012
- Album
- Lane 8
- Genre
- Deep House
- Loudness
- -7.1 dB
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Don't Want You Back: club-tempo deep house, F major (7B), 120 BPM. It reads as punchy, neutral in mood. A 2012 production that still circulates in sets. More underground than 99% of Lane 8's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 97% of Lane 8's catalogue
- Brightness:
- brighter than 90% of Lane 8's catalogue
- Energy:
- hotter than 84% of Lane 8's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Don't Want You Back in?
Don't Want You Back by Lane 8 is in F major, or 7B on the Camelot wheel.
What BPM is Don't Want You Back?
Don't Want You Back runs at 120 BPM, a club-tempo track.
What mixes well with Don't Want You Back?
From 7B it blends harmonically with 8B, 7A, 6B. Moving to 8B lifts the energy a step.
Is Don't Want You Back good for peak time?
With energy 83 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
7B → 6B · 8B · 7AFrom 7B, 8B (C major) lifts the energy a step; 7A (D minor) settles into the relative minor; 6B (B♭ major) cools the energy down a step.
How to mix it
In 7B at 120 BPM: 8B (C major) — move to 8B to push the floor harder; 7A (D minor) — switch to 7A for a mood change without losing the groove; 6B (B♭ major) — drop to 6B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 2B rather than 7B; below -5% it reads as 12B. With key lock on, it stays 7B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More deep house
More from Lane 8
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.