Letting Go
- BPM
- 120
- Open Key
- 9d
- Energy
- 83/100
- Pop
- 0/100
- Length
- 4:53
- Released
- 2015
- Album
- The Unknown Date
- Genre
- Tech House
- Loudness
- -6.6 dB
- ISRC
- TCACH1580071
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Letting Go: club-tempo tech house, A♭ major (4B), 120 BPM. The feel is bright and euphoric. It is vocal-led. A 2015 production that still circulates in sets. Slower than 99% of James Hype's catalogue. In a set it works best as a floor-filler.
- Reach:
- more underground than 99% of James Hype's catalogue
- Brightness:
- brighter than 87% of James Hype's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Letting Go in?
Letting Go by James Hype is in A♭ major, or 4B on the Camelot wheel.
What BPM is Letting Go?
Letting Go runs at 120 BPM, a club-tempo track.
What mixes well with Letting Go?
From 4B it blends harmonically with 5B, 4A, 3B. Moving to 5B lifts the energy a step.
Is Letting Go good for peak time?
With energy 83 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
4B → 3B · 5B · 4AFrom 4B, 5B (E♭ major) lifts the energy a step; 4A (F minor) settles into the relative minor; 3B (D♭ major) cools the energy down a step.
How to mix it
In 4B at 120 BPM: 5B (E♭ major) — move to 5B to push the floor harder; 4A (F minor) — switch to 4A for a mood change without losing the groove; 3B (D♭ major) — drop to 3B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11B rather than 4B; below -5% it reads as 9B. With key lock on, it stays 4B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from James Hype
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
