The Blessing by Tilman cover art

The Blessing

Tilman

Key
9B · G major
BPM
120
Open Key
2d
Energy
83/100
Pop
1/100
Length
6:42
Released
2018
Album
The Weekender EP
Genre
House
Loudness
-9.5 dB
ISRC
DEPL91800748

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 120 BPM in G major (9B), The Blessing is a club-tempo house production. It reads as dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. A 2018 production that still circulates in sets. Darker than 92% of Tilman's catalogue. In a set it works best as a floor-filler.

Tempo:
slower than 84% of Tilman's catalogue
Groove:
less groove-driven than 75% of Tilman's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy83
Mood26Dark
Groove75
Acoustic0
Instrumental86
Live10
Speech5

Frequency spectrum

amplitude · bass → treble

FAQ

What key is The Blessing in?

The Blessing by Tilman is in G major, or 9B on the Camelot wheel.

What BPM is The Blessing?

The Blessing runs at 120 BPM, a club-tempo track.

What mixes well with The Blessing?

From 9B it blends harmonically with 10B, 9A, 8B. Moving to 10B lifts the energy a step.

Is The Blessing good for peak time?

With energy 83 out of 100 at 120 BPM, it works best as a floor-filler.

Mixes harmonically

9B8B · 10B · 9A

From 9B, 10B (D major) lifts the energy a step; 9A (E minor) settles into the relative minor; 8B (C major) cools the energy down a step.

Every move from 9B

10BSimple Mix Upper
8BSimple Mix Downer
9ATonal Shift·
10ADiagonal Mix Upper
8ADiagonal Mix Downer
12ACompatible Tone·
11BHigh Energy Boost▲▲▲
7BHigh Energy Drain▼▼▼
12BParallel Key Upper▲▲
6BParallel Key Downer▼▼
4BTritone Jump▲▲
1BRelated Keyrisky

How to mix it

In 9B at 120 BPM: 10B (D major) — move to 10B to push the floor harder; 9A (E minor) — switch to 9A for a mood change without losing the groove; 8B (C major) — drop to 8B to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4B rather than 9B; below -5% it reads as 2B. With key lock on, it stays 9B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More house

More from Tilman

Full profile
#Track

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

#Track