
No Dancers - Adam Port Remix
30s preview
- BPM
- 120
- Open Key
- 3m
- Energy
- 84/100
- Pop
- 36/100
- Length
- 6:45
- Released
- 2019
- Album
- No Dancers (Adam Port Remix)
- Genre
- Tech House
- Loudness
- -9.5 dB
- Dynamics
- 9.8 dB
- ISRC
- GBEWA1901741
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- No Dancers - Adam Port Remix (Edit)remix10A · 120
A club-tempo tech house cut, No Dancers - Adam Port Remix sits in B minor (10A) at 120 BPM. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Darker than 91% of Adam Port's catalogue. In a set it works best as a floor-filler.
- Tempo:
- slower than 88% of Adam Port's catalogue
- Energy:
- hotter than 78% of Adam Port's catalogue
- Reach:
- better known than 76% of Adam Port's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 12%
- High
- 2.5-11 kHz
FAQ
What key is No Dancers - Adam Port Remix in?
No Dancers - Adam Port Remix by Adam Port is in B minor, or 10A on the Camelot wheel.
What BPM is No Dancers - Adam Port Remix?
No Dancers - Adam Port Remix runs at 120 BPM, a club-tempo track.
What mixes well with No Dancers - Adam Port Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is No Dancers - Adam Port Remix good for peak time?
With energy 84 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 120 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Adam Port
Full profileOther recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.