What Ya Doin?
30s preview
- BPM
- 120
- Open Key
- 5d
- Energy
- 84/100
- Pop
- 9/100
- Length
- 6:28
- Released
- 2016
- Genre
- Deep House
- Loudness
- -4.9 dB
- Dynamics
- 11.7 dB
- ISRC
- US2251623202
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
What Ya Doin? is a club-tempo deep house track in E major (12B) at 120 BPM. It is vocal-led. Its spectrum is weighted to the sub and kick, with a heavy low end. The master is loud and heavily compressed. The master keeps unusual dynamic range for club music (crest 12 dB). A 2016 production that still circulates in sets. Slower than 97% of Chris Stussy's catalogue. In a set it works best as a floor-filler.
- Groove:
- groovier than 90% of Chris Stussy's catalogue
- Brightness:
- darker than 90% of Chris Stussy's catalogue
- Low end:
- more treble-tilted than 76% of Chris Stussy's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 28%
- Low-mid
- 130-570 Hz
- 22%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is What Ya Doin? in?
What Ya Doin? by Chris Stussy is in E major, or 12B on the Camelot wheel.
What BPM is What Ya Doin??
What Ya Doin? runs at 120 BPM, a club-tempo track.
What mixes well with What Ya Doin??
From 12B it blends harmonically with 1B, 12A, 11B. Moving to 1B lifts the energy a step.
Is What Ya Doin? good for peak time?
With energy 84 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
12B → 11B · 1B · 12AFrom 12B, 1B (B major) lifts the energy a step; 12A (D♭ minor) settles into the relative minor; 11B (A major) cools the energy down a step.
How to mix it
In 12B at 120 BPM: 1B (B major) — move to 1B to push the floor harder; 12A (D♭ minor) — switch to 12A for a mood change without losing the groove; 11B (A major) — drop to 11B to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 7B rather than 12B; below -5% it reads as 5B. With key lock on, it stays 12B across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More deep house
More from Chris Stussy
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
