No Dancers - Adam Port Remix (Edit)
30s preview
- BPM
- 120
- Open Key
- 3m
- Energy
- 88/100
- Pop
- 22/100
- Length
- 4:55
- Released
- 2019
- Album
- No Dancers (Adam Port Remix)
- Genre
- Tech House
- Loudness
- -8.9 dB
- Dynamics
- 11.9 dB
- ISRC
- GBEWA1901740
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- No Dancers - Adam Port Remixremix10A · 120
No Dancers - Adam Port Remix (Edit) runs 120 BPM in B minor (10A), a club-tempo tech house record. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Hotter than 88% of Adam Port's catalogue.
- Tempo:
- slower than 88% of Adam Port's catalogue
- Brightness:
- darker than 81% of Adam Port's catalogue
- Low end:
- more treble-tilted than 81% of Adam Port's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 35%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 16%
- High
- 2.5-11 kHz
FAQ
What key is No Dancers - Adam Port Remix (Edit) in?
No Dancers - Adam Port Remix (Edit) by Adam Port is in B minor, or 10A on the Camelot wheel.
What BPM is No Dancers - Adam Port Remix (Edit)?
No Dancers - Adam Port Remix (Edit) runs at 120 BPM, a club-tempo track.
What mixes well with No Dancers - Adam Port Remix (Edit)?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is No Dancers - Adam Port Remix (Edit) good for peak time?
With energy 88 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 120 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Adam Port
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
