Resurrection - Rafael Cerato's Afro Mix
30s preview
- Key
- 9A · E minor
- BPM
- 120
- Open Key
- 2m
- Energy
- 88/100
- Pop
- 1/100
- Length
- 7:44
- Released
- 2019
- Album
- Resurrection
- Genre
- Tech House
- Loudness
- -6.6 dB
- Dynamics
- 9.9 dB
- ISRC
- US83Z1833919
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Resurrection - Rafael Cerato's Afro Mix runs 120 BPM in E minor (9A), a club-tempo tech house record. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. Slower than 96% of Rafael Cerato's catalogue.
- Low end:
- more bass-heavy than 78% of Rafael Cerato's catalogue
- Brightness:
- darker than 77% of Rafael Cerato's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 40%
- Low
- 30-130 Hz
- 27%
- Low-mid
- 130-570 Hz
- 18%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Resurrection - Rafael Cerato's Afro Mix in?
Resurrection - Rafael Cerato's Afro Mix by Rafael Cerato is in E minor, or 9A on the Camelot wheel.
What BPM is Resurrection - Rafael Cerato's Afro Mix?
Resurrection - Rafael Cerato's Afro Mix runs at 120 BPM, a club-tempo track.
What mixes well with Resurrection - Rafael Cerato's Afro Mix?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Resurrection - Rafael Cerato's Afro Mix good for peak time?
With energy 88 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 120 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Rafael Cerato
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
