Don't Wait - Alex Flatner & Lopazz Remix
30s preview
- BPM
- 120
- Open Key
- 3m
- Energy
- 88/100
- Pop
- 0/100
- Length
- 8:03
- Released
- 2013
- Album
- Paranoid Funk Remixes
- Genre
- Tech House
- Loudness
- -8.1 dB
- Dynamics
- 9.8 dB
- ISRC
- DEL021320001
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Don't Wait - Extended Mixversion11A · 123
- Don't Wait - Moodapella Dubversion11A · 123
- Don’t Waitoriginal11A · 123
- Don't Wait - e!t Remixremix1A · 117
- Don't Wait - Kenny Mitchell & Javier Jones Deeptilt Remixremix11A · 124
- Don't Wait - Tommy Theft Mind Trips Mixoriginal11A · 123
Against the original (11A at 123 BPM), this version runs 3 BPM slower and moves the key from 11A to 10A.
Don't Wait - Alex Flatner & Lopazz Remix is a club-tempo tech house track in B minor (10A) at 120 BPM. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. A 2013 production that still circulates in sets. Brighter than 99% of Alex Niggemann's catalogue.
- Reach:
- more underground than 99% of Alex Niggemann's catalogue
- Tempo:
- slower than 91% of Alex Niggemann's catalogue
- Energy:
- hotter than 84% of Alex Niggemann's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 36%
- Low
- 30-130 Hz
- 29%
- Low-mid
- 130-570 Hz
- 21%
- Upper-mid
- 570 Hz-2.5 kHz
- 14%
- High
- 2.5-11 kHz
FAQ
What key is Don't Wait - Alex Flatner & Lopazz Remix in?
Don't Wait - Alex Flatner & Lopazz Remix by Alex Niggemann is in B minor, or 10A on the Camelot wheel.
What BPM is Don't Wait - Alex Flatner & Lopazz Remix?
Don't Wait - Alex Flatner & Lopazz Remix runs at 120 BPM, a club-tempo track.
What mixes well with Don't Wait - Alex Flatner & Lopazz Remix?
From 10A it blends harmonically with 11A, 10B, 9A. Moving to 11A lifts the energy a step.
Is Don't Wait - Alex Flatner & Lopazz Remix good for peak time?
With energy 88 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
10A → 9A · 11A · 10BFrom 10A, 11A (F♯ minor) lifts the energy a step; 10B (D major) brightens to the relative major; 9A (E minor) cools the energy down a step.
How to mix it
In 10A at 120 BPM: 11A (F♯ minor) — move to 11A to push the floor harder; 10B (D major) — switch to 10B for a mood change without losing the groove; 9A (E minor) — drop to 9A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 5A rather than 10A; below -5% it reads as 3A. With key lock on, it stays 10A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Alex Niggemann
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
