Brain Damage - Analog Jungs Remix
30s preview
- Key
- 8A · A minor
- BPM
- 120
- Open Key
- 1m
- Energy
- 88/100
- Pop
- 0/100
- Length
- 7:20
- Released
- 2016
- Album
- Brain Damage
- Genre
- Progressive House
- Loudness
- -7.7 dB
- Dynamics
- 13.1 dB
- ISRC
- US83Z1641269
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Brain Damage - Madloch & Hot TuneiK Remixremix9B · 122
- Brain Damage - Namatjira's Sunday Afternoon Remixremix8A · 115
- Brain Damage - Original Mixoriginal8B · 124
Against the original (8B at 124 BPM), this version runs 4 BPM slower and moves the key from 8B to 8A.
At 120 BPM in A minor (8A), Brain Damage - Analog Jungs Remix is a club-tempo progressive house production. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 13 dB). A 2016 production that still circulates in sets. More underground than 99% of Antrim's catalogue.
- Tempo:
- slower than 92% of Antrim's catalogue
- Low end:
- more treble-tilted than 90% of Antrim's catalogue
- Energy:
- hotter than 86% of Antrim's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 34%
- Low
- 30-130 Hz
- 30%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 17%
- High
- 2.5-11 kHz
FAQ
What key is Brain Damage - Analog Jungs Remix in?
Brain Damage - Analog Jungs Remix by Antrim is in A minor, or 8A on the Camelot wheel.
What BPM is Brain Damage - Analog Jungs Remix?
Brain Damage - Analog Jungs Remix runs at 120 BPM, a club-tempo track.
What mixes well with Brain Damage - Analog Jungs Remix?
From 8A it blends harmonically with 9A, 8B, 7A. Moving to 9A lifts the energy a step.
Is Brain Damage - Analog Jungs Remix good for peak time?
With energy 88 out of 100 at 120 BPM, it works best as a mid-set roller.
Mixes harmonically
8A → 7A · 9A · 8BFrom 8A, 9A (E minor) lifts the energy a step; 8B (C major) brightens to the relative major; 7A (D minor) cools the energy down a step.
How to mix it
In 8A at 120 BPM: 9A (E minor) — move to 9A to push the floor harder; 8B (C major) — switch to 8B for a mood change without losing the groove; 7A (D minor) — drop to 7A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 3A rather than 8A; below -5% it reads as 1A. With key lock on, it stays 8A across the whole range.
Programming: a mid-set roller.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Antrim
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
