Hello (extended)
30s preview
- Key
- 9A · E minor
- BPM
- 120
- Open Key
- 2m
- Energy
- 89/100
- Pop
- 2/100
- Length
- 8:34
- Released
- 2024
- Genre
- Progressive House
- Loudness
- -8.3 dB
- Dynamics
- 11.6 dB
- ISRC
- DEY032402814
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
At 120 BPM in E minor (9A), Hello (extended) is a club-tempo progressive house production. The feel is dark and driving. Rhythmically it is built for the dancefloor. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). Slower than 98% of Roy Rosenfeld's catalogue. In a set it works best as a floor-filler.
- Energy:
- hotter than 83% of Roy Rosenfeld's catalogue
- Brightness:
- darker than 82% of Roy Rosenfeld's catalogue
- Low end:
- more bass-heavy than 76% of Roy Rosenfeld's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 41%
- Low
- 30-130 Hz
- 32%
- Low-mid
- 130-570 Hz
- 19%
- Upper-mid
- 570 Hz-2.5 kHz
- 8%
- High
- 2.5-11 kHz
FAQ
What key is Hello (extended) in?
Hello (extended) by Roy Rosenfeld is in E minor, or 9A on the Camelot wheel.
What BPM is Hello (extended)?
Hello (extended) runs at 120 BPM, a club-tempo track.
What mixes well with Hello (extended)?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Hello (extended) good for peak time?
With energy 89 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 120 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Roy Rosenfeld
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
