Reaching The Edge - Kamilo Sanclemente & Giovanny Aparicio Rework
- Key
- 9A · E minor
- BPM
- 120
- Open Key
- 2m
- Energy
- 89/100
- Pop
- 4/100
- Length
- 8:35
- Released
- 2023
- Album
- Reaching The Edge (Kamilo Sanclemente & Giovanny Aparicio Rework)
- Genre
- Progressive House
- Loudness
- -8.1 dB
- ISRC
- GBKQU2296593
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Other versions
- Reaching The Edgeoriginal8A · 122
- Reaching The Edge - Extended Mixversion9B · 122
Against the original (8A at 122 BPM), this version runs 2 BPM slower and moves the key from 8A to 9A.
Reaching The Edge - Kamilo Sanclemente & Giovanny Aparicio Rework runs 120 BPM in E minor (9A), a club-tempo progressive house record. It reads as dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Slower than 98% of Kamilo Sanclemente's catalogue. For programming, treat it as a floor-filler.
- Brightness:
- darker than 83% of Kamilo Sanclemente's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
FAQ
What key is Reaching The Edge - Kamilo Sanclemente & Giovanny Aparicio Rework in?
Reaching The Edge - Kamilo Sanclemente & Giovanny Aparicio Rework by Kamilo Sanclemente is in E minor, or 9A on the Camelot wheel.
What BPM is Reaching The Edge - Kamilo Sanclemente & Giovanny Aparicio Rework?
Reaching The Edge - Kamilo Sanclemente & Giovanny Aparicio Rework runs at 120 BPM, a club-tempo track.
What mixes well with Reaching The Edge - Kamilo Sanclemente & Giovanny Aparicio Rework?
From 9A it blends harmonically with 10A, 9B, 8A. Moving to 10A lifts the energy a step.
Is Reaching The Edge - Kamilo Sanclemente & Giovanny Aparicio Rework good for peak time?
With energy 89 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
9A → 8A · 10A · 9BFrom 9A, 10A (B minor) lifts the energy a step; 9B (G major) brightens to the relative major; 8A (A minor) cools the energy down a step.
How to mix it
In 9A at 120 BPM: 10A (B minor) — move to 10A to push the floor harder; 9B (G major) — switch to 9B for a mood change without losing the groove; 8A (A minor) — drop to 8A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 4A rather than 9A; below -5% it reads as 2A. With key lock on, it stays 9A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More progressive house
More from Kamilo Sanclemente
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
