Harry K by Cristoph cover art

Harry K

Cristoph

30s preview

Key
2B · F♯ major
BPM
120
Open Key
7d
Energy
87/100
Pop
0/100
Length
7:30
Released
2014
Genre
Tech House
Loudness
-9.4 dB
Dynamics
12.0 dB
ISRC
NLCK41401067

Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026

At 120 BPM in F♯ major (2B), Harry K is a club-tempo tech house production. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. Its spectrum is weighted to the sub and kick, with a heavy low end. The master keeps unusual dynamic range for club music (crest 12 dB). A 2014 production that still circulates in sets. More underground than 99% of Cristoph's catalogue. In a set it works best as a floor-filler.

Tempo:
slower than 98% of Cristoph's catalogue
Groove:
groovier than 94% of Cristoph's catalogue

Sonic profile

EnergyGrooveMoodOrganicInstr.LiveTempo
Energy87
Mood27Dark
Groove82
Acoustic1
Instrumental92
Live6
Speech8

Frequency spectrum

amplitude · bass → treble

601252505001k2k4k8k
38%
Low
30-130 Hz
29%
Low-mid
130-570 Hz
19%
Upper-mid
570 Hz-2.5 kHz
14%
High
2.5-11 kHz

FAQ

What key is Harry K in?

Harry K by Cristoph is in F♯ major, or 2B on the Camelot wheel.

What BPM is Harry K?

Harry K runs at 120 BPM, a club-tempo track.

What mixes well with Harry K?

From 2B it blends harmonically with 3B, 2A, 1B. Moving to 3B lifts the energy a step.

Is Harry K good for peak time?

With energy 87 out of 100 at 120 BPM, it works best as a floor-filler.

Mixes harmonically

2B1B · 3B · 2A

From 2B, 3B (D♭ major) lifts the energy a step; 2A (E♭ minor) settles into the relative minor; 1B (B major) cools the energy down a step.

Every move from 2B

3BSimple Mix Upper
1BSimple Mix Downer
2ATonal Shift·
3ADiagonal Mix Upper
1ADiagonal Mix Downer
5ACompatible Tone·
4BHigh Energy Boost▲▲▲
12BHigh Energy Drain▼▼▼
5BParallel Key Upper▲▲
11BParallel Key Downer▼▼
9BTritone Jump▲▲
6BRelated Keyrisky

How to mix it

In 2B at 120 BPM: 3B (D♭ major) — move to 3B to push the floor harder; 2A (E♭ minor) — switch to 2A for a mood change without losing the groove; 1B (B major) — drop to 1B to bring the room down gently.

Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.

Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 9B rather than 2B; below -5% it reads as 7B. With key lock on, it stays 2B across the whole range.

Programming: a floor-filler.

Similar tempo

Within ±3 BPM of 120 — beatmatch without a big tempo pull.

More tech house

More from Cristoph

Full profile

Other recommendations

Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.

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