Mobara
30s preview
- Key
- 4A · F minor
- BPM
- 120
- Open Key
- 9m
- Energy
- 82/100
- Pop
- 21/100
- Length
- 8:38
- Released
- 2020
- Album
- Walking the World EP
- Genre
- Tech House
- Loudness
- -10.0 dB
- Dynamics
- 26.8 dB
- ISRC
- UKSP42000086
Key, BPM and audio features: model-based audio analysis · how we measure · catalogue updated July 2026
Mobara is a club-tempo tech house track in F minor (4A) at 120 BPM. The feel is dark and driving. The groove is strong and floor-ready. The mix is almost entirely instrumental. The master keeps unusual dynamic range for club music (crest 27 dB). More treble-tilted than 99% of Tim Green's catalogue.
- Tempo:
- slower than 94% of Tim Green's catalogue
- Reach:
- better known than 88% of Tim Green's catalogue
- Brightness:
- darker than 87% of Tim Green's catalogue
Sonic profile
Frequency spectrum
amplitude · bass → treble
- 16%
- Low
- 30-130 Hz
- 31%
- Low-mid
- 130-570 Hz
- 27%
- Upper-mid
- 570 Hz-2.5 kHz
- 26%
- High
- 2.5-11 kHz
FAQ
What key is Mobara in?
Mobara by Tim Green is in F minor, or 4A on the Camelot wheel.
What BPM is Mobara?
Mobara runs at 120 BPM, a club-tempo track.
What mixes well with Mobara?
From 4A it blends harmonically with 5A, 4B, 3A. Moving to 5A lifts the energy a step.
Is Mobara good for peak time?
With energy 82 out of 100 at 120 BPM, it works best as a floor-filler.
Mixes harmonically
4A → 3A · 5A · 4BFrom 4A, 5A (C minor) lifts the energy a step; 4B (A♭ major) brightens to the relative major; 3A (B♭ minor) cools the energy down a step.
How to mix it
In 4A at 120 BPM: 5A (C minor) — move to 5A to push the floor harder; 4B (A♭ major) — switch to 4B for a mood change without losing the groove; 3A (B♭ minor) — drop to 3A to bring the room down gently.
Pitch range at ±6%: 113-127 BPM — anything in that window beatmatches without sounding stretched.
Key on the fader: without key lock (Master Tempo on CDJs), above roughly +5% it plays a semitone higher, so treat it as 11A rather than 4A; below -5% it reads as 9A. With key lock on, it stays 4A across the whole range.
Programming: a floor-filler.
Similar tempo
Within ±3 BPM of 120 — beatmatch without a big tempo pull.
More tech house
More from Tim Green
Full profile
Other recommendations
Beyond strict key and genre matches: tracks that still sit in beatmatch range of 120 BPM with a compatible energy and groove — candidates for a key jump or a genre crossover.
